I believe that movement starts from within. There should be an internal rhythm coerced by music into a manifestation. The thought process should simply depict “being one with the music and movement.” I struggle sometimes, trying to accurately describe what I am looking for when a person reproduces my movement. There is an inner beat that guides me, I focus more on instinct, and do not rely on the formation of actual counts. I am excited to work with dancers and artists who are not afraid to abandon the usual "western" way of looking at dance.
Today I will have the pleasure of working with Yves, a member of The Bridge Dance Project. We will be in the studio working on a dance for camera work titled "awaken". When I choreograph, I try to blend the specific qualities I’ve noticed in a dancer, with my style, and the theme of the piece. Lately, I have been obsessed with burying the past, and I’ve always wondered what that would look like from the perspective of different people. The way I deal with the past is to let it rest in dance, acknowledging the associated feelings and emotions without questioning their validity, and letting them rest where they need to be left. The only way I feel this can be done, is by forgiveness of others and forgiveness of self.
So, for the beginning of “awaken”, Yves will be shot buried in red clay, on location, at Garden of the Gods. The movie will open with a wide shot of a bare landscape with only rocks showing in the distance. It will then pan to a close shot of the ground which will appear to be moving. Yves will be under the soil seemingly invisible until a close-up of her opening her dirt covered eyes. Most of the camera work will be upside down, meaning the camera will be shot aiming down on her. She will do a series of floor work based movements, eventually working her way to standing, then flicking the dust and dirt around sporadically. Because of her belly dance training, Yves is extraordinary at turns, so there will be a host of turns and tumbles. At the conclusion of the piece Yves will bolt off camera. I want the end to be abrupt allowing for an eventual continuation of the story. Who knows, Yves may re-appear in this ongoing quest for forgiveness.
